VOLUME 1 ISSUE 2 FALL 2015

himself as a priest and at one point had a very moving vision that involved a bible and a cross. At this point, he saw a seal ring on his hand and could clearly recognize the initials that it bore. Being a talented artist, he decided to document this strange process, although he did not understand it at the time. He produced a series of drawings and very powerful and impulsive finger paintings. Some of these depicted different parts of the fortress, others scenes of slaughter, and a few his own experiences, including being gored by a sword, thrown over the ramparts of the fortress, and dying on the shore. Among these pictures was a drawing of the seal ring with the initials. As he was recovering bits and pieces of this story, Karl was finding more and more meaningful connections with his present life. He was discovering that many emotional and psychosomatic feelings, as well as problems in interpersonal relationships that he had at that time in his everyday life, were clearly related to his inner process, involving the mysterious event in the past. A turning point came when Karl suddenly decided on an impulse to spend his holiday in Western Ireland. After his return, he was showing in the family for the first time the slides that he had shot on the Western coast of Ireland. He realized that he had taken eleven consecutive pictures of the same scenery that did not seem particularly interesting. He took the map and reconstructed where he stood at the time and in which direction he was shooting. He realized that the place, which attracted his attention, was the ruin of an old fortress called Dunanoir, or Forte de Oro (Golden Fortress). Suspecting a connection with his experiences from his inner exploration, Karl decided to study the history of Dunanoir. He discovered, to his enormous surprise, that at the time of Walter Raleigh, the fortress was taken by the Spaniards and then besieged by the British. Walter Raleigh negotiated with the Spaniards and promised them free egress from the fortress, if they would open the gate and surrender to the British. The Spaniards agreed on these conditions, but the British did not hold their promise. Once inside the fortress, they slaughtered mercilessly all the Spaniards and threw them over the ramparts to die on the ocean beach. In spite of this absolutely astonishing confirmation of the story that he laboriously reconstructed in his sessions, Karl was not satisfied. He continued his library research until he discovered a special document about the battle of Dunanoir. There he found that a priest accompanied the Spanish soldiers and was killed together with them. The initials of the name of the priest were identical with those that Karl saw in his vision of the seal ring and depicted in one of his drawings. The following illustration is one of the most unusual coincidences that I have encountered during my LSD work. The phenomena involved have an ambiguous quality, since they have the combined characteristics of ancestral and past-incarnation experiences. This example shows clearly the complexity of this area of research. It is taken from the treatment of a patient suffering from cancerophobia. In the advanced stage of Renata’s therapy, an unusual and unprecedented sequence of events was observed. Four consecutive LSD sessions consisted almost exclusively of scenes from a particular historical period from the Czech history. She experienced a number of episodes that took place in Prague during the seventeenth century. This time was a crucial period for the Czechs. After the diSpirituality Studies 1 (2) Fall 2015 21 (19)

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